Задание 12 из ЕГЭ по английскому языку: задача 13
Guédelon Castle
Although restoration can stir up controversy, as some would prefer not to risk damaging delicate artworks, or may disagree about the best method for restoring them, there is something extremely compelling about seeking to return old objects to their original states.
The man behind its restoration, Michel Guyot, has a project currently underway: the creation of an entire castle from the ground up, using the building techniques and materials of the 13th century. In the small village of Guédelon, not far from Saint-Fargeau, visitors to the castle can watch trained artisans go about their work, much as their counterparts did 800 years ago. Although seeing a restored castle can give you historical insight, the Guédelon project goes much further; with its emphasis on recreating the methods used to build the grand castles of the past, the experience could be likened to looking over the shoulder of a Renaissance artist, watching as he mixes his paints.
The design of the castle was inspired by the castles built by King Philippe Auguste in the 13th century. Among them is the original Louvre fortress, built to protect Paris from Viking attacks on its west side. Although the fortress was later razed to make room for a new palace, parts of its foundations remained intact.
Although Philippe Auguste only lived until 1223, the Guédelon project’s designers imagine its beginning construction date as being 1228, when castle designs still followed Philippe’s model. Having chosen to emulate this historical era, the specific plans for the Guédelon castle were developed by Jacques Moulin, the chief architect of historic monuments in France. Begun in 1997 with the laying of the foundations, the Guédelon project is not scheduled to be completed until 2024. When it is finished, the castle will consist of high fortress walls, with towers of varying sizes around its perimeter.
Forming the backbone of the project are the 40 or so builders who quarry stone, mix mortar, and chisel rock, among other tasks, during the warmer part of the year. In spring, summer, and fall, these workers put in long days of work, while the site is closed in the winter. In keeping with the spirit of the project, workers wear simple tunics that would not have looked out of place in the 13th century, although they do make use of modern safety equipment such as goggles, helmets, and harnesses.
Both the materials they use and the techniques they employ are limited to those used by builders of the 13th century. The area around the construction site provides all the necessary materials for the project, including sandstone, wood, iron, limestone, earth, and hemp.
Sandstone is quarried near the site using only hand tools, and then carried by horse-cart or wheelbarrow to the area where masons wait to shape the rock with chisels and mauls. The nearby forests provide wood for a variety of uses, including the production of beams, planks, levers, scaffolding, banisters, wheelbarrows, pails, and tool handles, as well as fuel for all the site’s heating needs.
One of those heating needs is the kiln in which sandstone is fired for two days before producing a lump of iron ore. Blacksmiths reheat the iron in a furnace before shaping it on their anvils into nails, tools, chains, weapons, or hinges. Likewise, blocks of limestone are heated to obtain quicklime, which is mixed with sand to produce mortar. Earth is used to produce bricks, pottery, and tiles, and to weatherproof walls. Lastly, the project’s rope makers rely on hemp to create lifting ropes, belts, and harnesses.
The Guédelon building site was first opened to the public in 1998, and by 2020, it was producing enough income to be self-sustaining. In recent years, as many as 300,000 people visit the site annually, and it is especially popular for groups of schoolchildren.
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Why is the restoration process so compelling?
- A lot of methods can be used at a time.
- It is risky to choose the way of it.
- It is exciting to see the object in the original condition.
- It can damage the object.
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